Listening to the Curate’s Egg

After listening to so many audio books so far this year, I’ve reached the conclusion that a book comes across very differently when you use your ears rather than your eyes. You can’t speed up at fast bits (or dull bits), nor can you go back and reread, or savour any particular sentence. The story is delivered at an unrelentingly steady pace, dialogue is properly dialogue, and I found I was more consciously aware of waiting for the plot to unfold (I confess to being someone who skips ahead at tense moments to see what happens). Add to that a narrator whose voice(s) may or may not delight you and the book is forced to undergo a far more rigorous trial than in the act of reading.

the goldfinchFor these reasons, I think The Goldfinch is a book that it’s probably much better to read than to listen to. It travels at such a slow pace that some parts of it were almost excruciating and when I finally got to the end, I felt like I’d scaled a virtual Everest. I was glad to have made it, though, as it was an interesting book if not (for me, I’m afraid) a good one. I can see why some reviewers have described it as a children’s adventure story for adults, as there are a lot of transgressive or criminal events and very little in the way of consequences. Theo’s drug taking, for instance, never really affects him, and as for the painting, well, I won’t give spoilers but it was all very slick and implausible. Though Theo was perhaps too realistic as an inarticulate and bewildered adolescent. I did salute Donna Tartt for managing to write such a huge novel around a character whose main contribution to any verbal exchange is ‘What?’ Listening to all those ‘What?’s’ got a little old. I’ve had a teenage son of my own.

Essentially, I thought that The Goldfinch was four books and a coda. The first part, with the explosion in the museum, the death of Theo’s mother and removal of the painting, and his time spent with the Barbour family, was the story of The Goldfinch itself, the original part of the story. After that came a series of rewrites: the time with his father was a version of Hunter S. Thompson’s Fear and Loathing in Las Vegas; then New York and the furniture restorer, James Hobart (Hobie), was a mash-up of Dickens, The Old Curiosity Shop and Great Expectations; followed by the extraordinary Amsterdam part which was pure Bugsy Malone. And then, surprisingly, after 650 pages of pure showing, we get 70 pages of tell, where the meaning of the novel is explained. And yet…. well, the explanation didn’t fit the events. The idea at the end is that life is awful, but art is redemptive, and Theo claims that owning the painting has helped him through a terrible time and art has given him some desperately needed solace. But where has this solace occurred? Throughout the story, Theo barely looks at the painting, it causes him terrible guilt and worry, and from 200 or so pages in, it’s locked up in storage where he never goes. Only its return at the end of the novel seems to free him, and suddenly he goes from this tongue-tied, semi-comatose sufferer to an articulate philosopher, with his life meaningful and under his control again.

Where the novel did intrigue me a lot (besides Boris, who is a great character because he is one of those hero-boys who get away with everything and can carry and subsume any amount of trouble and strain), is in its depiction of post-traumatic stress disorder. Theo’s shell-shocked demeanour, his longing for calm nothingness which translates into an urgent need to lose himself, and the whole sense that his life has somehow gone wrong and can’t be mended are all symptomatic of severe trauma. I remember when I was a child my mother used to say, if you make that face and the wind changes, you’ll stay that way (which fascinated me because I could never hold my face long enough in an expression to check this out). Well, the wind that changes Theo is the blast from a bomb, and afterwards he is stuck as the good-for-nothing miscreant he felt on that day at the museum. All the other parts of his personality seem to have been blown out of him. Having lost the good mother and getting stuck with the wicked father doesn’t help him either, even though he finds alternative loving parents in Hobie and Mrs Barbour.  Nothing is enough. His adoration of Pippa and Pippa’s own journey through healing were also very interesting. If I’d been editor of that novel, I’d have cut the ridiculous Bugsy Malone part and had the relationship between Theo and Pippa play out properly, against his false-self relationship with Kitsey. They could maybe have really found a way through art and love to health again. But that would have made for a very different sort of book, wouldn’t it? Art is better than life, Tartt tells us, and what happens is all very artful and not very lifelike, and the novel has a certain atmosphere and taste because of that.

sophie and the sibyl2Another book of mixed value I listened to was Sophie and the Sibyl by Patricia Duncker, a post-modern romp around the back end of George Eliot’s life. I had a rocky start with this one, because the narrator’s croaky voice for George Eliot (supposed to signify old age) was not pleasing. But then I decided I could live with it and I ought to find out what happened at the end. The focus of the novel is on Max Duncker, younger of the two Duncker brothers who are George Eliot’s German publishers. Wolfgang wants to secure the rights to Middlemarch at a good rate and so he dispatches his charming but dissolute brother to wait on George Lewes and his common law wife at the spa in Homburg. Also there with her father is Max’s intended, the young and vivacious Sophie, Countess von Hahn. Sophie is a huge fan of George Eliot, but a series of unfortunate events – including Sophie’s experiences at the gaming table turning up as the opening scene in Daniel Deronda – turn Sophie against the older woman. Max falls under the spell of Marian (or Mary Ann) Lewes’ clear grey eyes and her fierce intelligence and forms a bond with her that will also cause trouble. This is a light-hearted, good-natured book that is written with such dash and verve that if you were reading it, you might not notice that not much happens.  There’s no profound meaning to the story, either, except maybe a reproach to George Eliot for punishing her young and beautiful female characters (the implication being that the less-than-lovely Marian is jealous). Perhaps for this reason, Sophie never has to face the music and develops into a tantruming diva by the end of the book and is very irritating. But essentially it was all very pleasant and there was much incidental enjoyment, if the whole thing lacked punch.

the lacuna; barbara kingsolver

the lacuna; barbara kingsolver

Finally I must mention Barbara Kingsolver’s The Lacuna, which I’d been looking forward to for ages. This is the story of Harrison William Shephard, a would-be writer who falls in with Frieda Kahlo and Diego Rivera when he is a young boy. I can’t tell you a great deal about what happens because the narration was so annoying that it took up all my attention. The novel is read by its author, and while Barbara Kingsolver writes like an angel, she reads like a primary school teacher. I’m going to have another shot at this one in book form, where I think it will be much more enticing.

a spool of blue threadBy far and away the best books I listened to were those by Anne Tyler. I listened to Back When We Were Grown-Ups and A Spool of Blue Thread and they were brilliant from start to finish. Apparently Anne Tyler rewrites her novels four or five times, and one of those times she reads the book out loud in order to remove any ‘false notes’. This clearly works. They made me want to reread everything I own by her, and I might just do that.

 

14 thoughts on “Listening to the Curate’s Egg

  1. I confess that though some things work well as spoken word (poetry springs to mind, and maybe the classics, or something spooky narrated by Basil Rathbone), for my everyday reading I prefer to read rather than listen. Your review of The Goldfinch is excellent and really gets to the heart of what I think has put me off reading it – I’ve had the impression all along that it doesn’t really knit together and needs serious editing. So I’m glad I haven’t bothered with it!🙂

  2. This was a very entertaining post—and personally, I had rather saw off my own leg and eat it raw than listen to a narrated book…though a tech-savvy friend tells me that software is available which will speed up the narration. Listening to narrated books has caused me to realize that I tend to read in paragraphs rather than words or sentences, and then if the paragraph catches my attention, I’ll go back and re-read it to appreciate detail or prosody or what have you. Narration disrupts my mode of comprehension so completely that I JUST CAN’T EVEN.

  3. I adore Barbara Kingsolver and The Poisonwood Bible is my favourite novel BUT I gave up on The Lacuna when I first read it. I will try again though – look forward to your thoughts.

  4. I’m not at all surprised that Anne Tyler’s novels adapt well to audio presentation. She has such a sharp ear for dialogue and her books is neatly economical with her descriptions, too. Donna Tartt, fond of her books as I am, is the other end of the spectrum!

  5. Even though I’m not a huge fan of audio books, I would consider listening to a reading of A Girl is a Half-formed Thing, simply because MacBride’s prose seems perfectly suited to that format. (I caught a radio interview with her a couple of years ago in which she read a passage from the book and the language sounded so natural when spoken aloud. It’s a question of catching the ‘right’ rhythm, I think.)

    Really enjoyed reading about your experiences with the Goldfinch! Plus, you’ve convinced me that I must try Anne Tyler at some point – I’m sure I would take to her books.

  6. I’ve just listened to my first audiobook (The Narrow Road to the Deep North by Richard Flanagan) and made a similar observation about experiencing a book with your eyes or ears. I think the thing I found challenging was not being able to savour particular passages. On the plus side, I could ‘read’ in the car and when I was walking, so ripped through a book that would have otherwise taken me two weeks to read.

  7. I couldn’t agree more about Barbara Kingsolver’s reading (although I think your description is unfair to primary school teachers); I gave up listening to her one about monarch butterflies because she read it so badly. Anyway, I always enjoy reviews of audio books and just hope all your r cent listening doesn’t mean you’ve been more ill than well in the last few months.

  8. Oooh, spot-on review with The Goldfinch. I enjoyed the bomb-blast novel and grew increasingly bored with the rest, I didn’t actually bother reading the Amsterdam bit, just skipped over to find out what happens. I did read the author’s explanation at the end, wondering why she’d bothered when she’d just had a whole novel to tell us, but had forgotten every word. Seldom have I been so disappointed in a novel.

    But I really enjoyed the Duncker, more than you I think. Perhaps Sophie’s tantrummy bits were not so evident in the ready version.🙂

  9. The Goldfinch has been staring at me from the TBR for a while now (also considered it in audio, or a combination?). Everyone seems to agree that it could have done with a few hundred pages less, so that doesn’t help. Maybe I’ll pick it up next time I’m in The Netherlands.

  10. You capture the tone of the different parts of The Goldfinch so well! I also didn’t finish The Lacuna (it’s a hole in my Kingsolver reading, har, har) and find Anne Tyler novels easy to love. My favorite is Dinner at the Homesick Restaurant. I have that one memorized and quote from it often.

  11. Thus far I have managed to avoid The Goldfinch and I think I might continue avoiding it. You’ve been doing lots of audio listening! How are you new glasses working out? Are you able to do more print reading?

  12. I hope you do give Kingsolver’s The Lacuna another shot. Perhaps it’s because I live in the US with our dysfunctional politics, but I found much of it, especially the parts in DC, with the WW1 veterans protests during the Depression, quite striking and moving. And all of it very good. Agreed that the reader’s voice makes a huge difference in an audio book!

  13. Sometimes listening is the best thing. And sometimes reading. Once i heard a Benedct Cumberbatch readng a poem and it was the best thing ever. But a bad style of narration can really mess with your mind. I will be reading the Goldfinch soon. A spool of blue thread was a nice family story. I enjoyed the read.

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