No matter how hard I try – and these past six months I have been attempting regular exercise, for crying out loud – I am doomed to hoard stress the way squirrels pack nuts for the winter. Now that things are a little quieter, and the internal imp who scans the horizon for trouble has relaxed, I’ve been feeling quite dreadful. It seems I can only process emotional wear and tear via a form of illness.
By sheer coincidence, a couple of books I’ve read and deeply enjoyed in the run-up to this week, offered an entirely different approach to stress management: the dangerous journey. In Monique Roffey’s wonderful Archipelago, Gavin and his daughter, Océan, take to the Caribbean seas with their dog, Suzy, as a way to deal with compounded grief. Almost a year ago their house was inundated by a freak flood, whose catastrophic results we only learn about as the story unfolds. Close to breakdown, Gavin decides to reawaken an old dream of his youth and take his trusty boat, Romany, west from Trinidad where they live, out towards the Galapagos Islands. Then in the memoir, Wild, Cheryl Strayed recounts her decision to hike the Pacific Crest Trail – or at least 1,100 miles of it – after her mother’s untimely death sends her life off course and her marriage breaks down.
The first thing I needed with these books was an atlas. I confess my geography is appalling. It’s even worse than my historical knowledge, and in both cases, what meagre scraps I own come from literature. I am sorry to say that I had a rather shaky sense of where the Caribbean might be, although I knew it had something to do with America, having adored novels by Maryse Condé in the past. For those as ignorant as I was, Trinidad and Tobago are just off the north-east tip of Venezuela, and the Caribbean sits in the shape of a bird in flight between North and South America. The famous islands stretch off towards the North: Barbados, St Lucia, Martinique, and they curve around towards Puerto Rico, Dominican Republic, Haiti and Cuba, much larger masses of land that form a rough barrier to the Atlantic. Whereas the travellers in Archipelago hug close to the coast of South America, heading through the Panama Canal and then far, far out west to where the Galapagos sit in solitary splendour.
‘I think I had the Panama Canal mixed up with the Suez Canal,’ I told Mr Litlove.
‘You thought it was the Suez Canal?’ said Mr Litlove, in terms of wonderment, which was rich coming from a man who would hesitate to identify the subjunctive.
The Pacific Crest Trail is a wilderness trail that stretches from the Mexican border in California along the crests of nine mountain ranges, including the Sierra Nevada, Klamath and Cascades, traversing Oregon and Washington on its way. The book had a dinky map in the front of it, useful for following the landmarks in Strayed’s memoir but pretty undetailed in itself. My atlas made it look much more daunting; the colours were the ochres and browns, even into the violet blues, of high altitudes. Despite the huge scale of the atlas, there was absolutely nothing there; no civilisation for inches around.
So two books with one word titles to remind you that serious travellers are a close-mouthed lot. They are too busy struggling with the elements to chat. And in both cases, decisions are made to embark on a physical challenge precisely because words fail and are insufficient for healing the pain. Something intriguingly alchemical goes on in this idea: emotional pain becomes released in physical pain, and physical toughness translates back to emotional toughness. In both cases, the journeys worked their magic, though I wonder whether it doesn’t all boil down to an email apocryphal funny my brother sent me, which said if you want to forget all your troubles, wear shoes that pinch.
Cheryl Strayed does exactly that. Young and inexperienced, she has launched into her hike in a way that shows the difference between things as we imagine they will be, and the lived reality. Her boots are a source of extreme discomfort throughout the trip and I got used to skimming the descriptions of her feet she regularly gave when she took them off at night. She also packs too extensively for her trip, creating an outsize backpack that she calls ‘Monster’, which takes its own toll on her body. You wonder whether she might have saved herself some trouble by just heading downtown and getting herself beaten up:
I did not so much look like a woman who had spent the past three weeks backpacking in the wilderness as I did a woman who had been the victim of a violent and bizarre crime. Bruises that ranged in color from yellow to black lined my arms and legs, my back and rump, as if I’d been beaten with sticks. My hips and shoulders were covered with blisters and rashes, inflamed welts and dark scabs where my skin had broken open from being chafed by the pack.’
This hike is all about her powers of endurance for Strayed, who was only 26 when she undertook it, and all about the methods of transcendence she can teach herself. Ways to bypass the boredom, the fear of all that could befall her out alone. As Archipelago is fiction, it has a lot more scope to explore its ideas. In the novel, nature is on trial, understood to be both beautiful and sublime, feared as both vicious and destructive. Gavin isn’t sure whether he is still fighting a losing battle against nature or learning to accept his place as part of it:
He has had a romantic attachment, notions about the sea, but these are fantasies. Now he is aware that the sea isn’t interested in him – and yet he’s fascinated with her. The sea has no feelings towards him whatsoever, and yet she stirs unfathomable moods in him. The sea doesn’t care, cannot care, one jot for him and his boat, his child, his dog, and yet they’ve been held mesmerised. At best, the sea is an accomplice to his restlessness.’
In both books, nature is an accomplice at best – willingly offering up vistas of breaktaking loveliness as reasons in themselves for the pain and the trouble of the undertaking. In Archipelago, nature wears a much crueller face, too, the devastation of catastrophe a magnified version of the ordinary battle for survival. But a lot happens in a silent beyond, in the place where human and nature interact. This is where the humans heal, though as Gavin realises, it is an oddly one-sided attachment where we manage to find far more than just what is visible. Perhaps it’s the sense of perspective that saves all the protagonists in the end; the awareness of their own diminutive size in relation to a wild, dangerous, tenderly indifferent world.
I loved both these books – they were highly engrossing, the Roffey full of glorious descriptions, the Strayed balancing its material well between accounts of the trip and her past life leading up to it. And they both have plenty of adventures to recount. But I am left feeling that the Existentialists were right – people are either thinkers or doers and it’s hard to be both. Travel is not the answer to angst for me: instead I have to be attentive to my internal geography. When I was much worse with chronic fatigue, I used to consider my body as a wild and lawless land, with sacking and pillaging going on in ways I couldn’t control. These days, there is much more of a community feel about my internal world, though every so often we have to hunker down when the Visigoths of stress maraud through.