Tales from the Reading Room

December 31, 2010

2010 In Retrospect

Without doubt this has been the most troubled, chaotic and discontinuous blogging year I have ever had. And yet at the same time, it’s been one of the best ones for reading and writing. This post was initially destined for the books I couldn’t finish and/or didn’t like, and I abandoned that idea for lack of material. There were no books I put down halfway through and none that I struggled through, cursing. Only one book was a real disappointment to me, and that remains a bit unmentionable because it carries an endorsement from this blog on the front cover. It was by an author I usually appreciate; the publishers asked if I could let them have a quote, and I was delighted to oblige. But then when I read it, I liked it least of all the books I’d read by the author (although it still wasn’t a bad book by any means). Caught on the horns of an unusual dilemma, I have kept quiet about it, and will indeed say no more. But this little blip aside, I’ve read some wonderful novels and non-fiction works, and enjoyed pretty much everything on the list.

Blogging, though, has been a vexed arena. Generally, I like to have a vague plan for what I’m going to concentrate on in my blogging, and when the year began I was thinking that I should go back to my academic roots, given that I wasn’t writing much academically at that point. So I set off in January with a series of reading workshops and posts about literary critics, and when I hit a wave of blockbuster novels in February and March I tried to write about them in an intellectual way. But the strategy wasn’t really working for me; I had moved away from academic writing because it wasn’t scratching an itch and it continued not to do so. In fact, looking back over this year, I think it must be the first in which I have written more personal posts than bookish ones. There has been a notably bigger audience for them in the blogworld, and I felt more motivated to write them.

At the same time, I was working steadily on my non-fiction book, and finding it hard to sustain two voices. The book was proving very pleasurable and taking up more and more of my focus and energy. Plus, there’s a huge difference between writing for a 1,000 word blog post, and writing for an 80,000 word book. The rhythm is all different, the perspective is altered, what you can and can’t do changes. I was finding it hard to switch back and forth, and to muster enthusiasm for writing book reviews when my heart wasn’t in them. Here’s something about blogging: if you’re not enjoying it, it shows. My audience was dropping off rapidly because I wasn’t posting regularly, and I expect the oomph had gone. At the beginning of May, I decided to take an extended break from posting to put all my efforts into finishing the book. I felt really sad about that, but at the same time, relieved. I’ve never got much out of doing things if I don’t feel I’m doing them well.

And then I had an unusually emotional summer. Writing about chronic fatigue was far tougher than I ever imagined it would be, my cat died, I ended up feeling poorly and suffering from social anxiety. I felt like I’d taken myself apart for the sake of writing and needed to put myself back together again. I returned to the blog to talk about all of this and, as usual, you, dear blogging friends showed yourselves to be consistently supportive, sympathetic and insightful. Really, there is nothing like pouring your heart out in a blog post and then finding a swarm of comments coming back that encourage and enlighten and amuse and sustain. I thank you for that with all my heart. I figured you might have to put up with me writing substandard book reviews, as the community here is one I find I can’t do without.

So September I was back in the blogging seat, starting to post more regularly again and I’ve been here ever since, getting back into the swing of writing about books. But there’s been a fair amount of writing about writing about books, too, as well as posts concerning ebooks and the publishing market generally. The biggest effect that ebooks have had on me is to lift the final restraint on my book buying. As an effect, this ought not to be underestimated. I’m stockpiling now, shamelessly, and Mister Litlove is going around looking a bit grim and tight-lipped at the piles of books about the place. In the wider world, ebooks have been the last straw to break the back of a troubled industry. I still maintain that ebooks make a wonderful supplement to reading and a terrible substitute for the book, but I guess we’ll see what happens eventually, when the dust has settled. But I have no illusions about the difficulty of getting into publishing at present, and it seems to me that the audience I have here is the best one I am ever likely to get. Time and again I find that the people who stop by here distinguish themselves by being not just smart and responsive, but by possessing properly open, questing minds.  Where else am I going to find readers like that?

I’m still not sure what I want to do with this blog, and because I don’t have a big plan at the moment, I find I’m a bit insecure about my writing on it, not always sure what’s working. And then, we’ve just been through a big shake-up in tertiary education, with an 80-100% cut to funding in arts and humanities, and this after years and years of steady attrition of the budgets. It’s going to become ever harder for people to learn about the arts now, and a diminishing place of study. I have all this experience in teaching literature; surely there must be something I can do with it, here in an open, easy access arena? But I don’t have any particularly bright ideas at this precise moment. So, next year has no plan at all attached to it; I’m going to just keep on reading and writing about my reading and seeing what happens. Hopefully something worthwhile will emerge. I thank all my readers for sticking with the blog this year, despite its trials and tribulations, and send you my warmest, most hopeful wishes for 2011 – may it be full of creativity, pleasure and insight.

December 29, 2010

Marriage Markets

Filed under: Books,History,Literature,Reading,Review — litlove @ 6:18 pm

Isn’t reading fantastic? Yesterday, I was reviewing a book that struck me as a highly unusual but surprisingly accessible read, and today I’m discussing a novel that was a composite of all sorts of familiar historical costume drama plotlines but that was a very enjoyable comfort read. Two books from opposite ends of the spectrum, that simply could not be more different to one another, but both with much to recommend them.

If you can have a literary historical potboiler, Daisy Goodwin’s My Last Duchess is it. Take the opening, for instance, in which Mrs Cash, rich and tyrannical mother, makes the final preparations for the last and greatest ball of the season in her Newport mansion, at which 800 guests will admire not only the cages of gold-painted hummingbirds, ready to be released at midnight, but Mrs Cash in a wildly extravagant dress covered in tiny lightbulbs. When we hear the electrician warn her that she must not keep them illuminated for more than five minutes at a time, we have a little tingle of schadenfreude at the catastrophe that inevitably lies ahead. Meanwhile, her pretty daughter, Cora Cash, is also preparing for the ball, strapped into a steel spine adjustor to perfect her posture. Cora is well aware that she represents her mother’s ticket to the ultimate social prize, an aristocratic husband from England, whence they are destined in the coming months. But Cora, desperate to be free of her overbearing mother, has her own desires, in the form of childhood friend, Teddy Van Der Leyden. Teddy, however, is longing for an artistic career in Paris, and is fully aware that however fond he is of Cora, his mother would never approve of marriage into one of the nouveau riche families, when his own stretches back respectably through the generations.

So you can see the sort of thing we’re dealing with here. It’s fun, and it’s light and frothy and it takes place in the hyperreal 19th century so familiar to us from sumptuous television dramas. Daisy Goodwin has done her research and the pages are packed with details of the clothes the women wear, and the complicated but rather fascinating rules of etiquette that govern the upper echelons of both American and British society. Inevitably, Cora does not get her (romantic) way, but is shipped off to England, where a riding accident lands her, literally, on the grounds of an impoverished English Duke whom Mrs Cash recognizes instantly as perfect wedding material. A hasty marriage takes place, and that very hastiness means that Cora walks into her new life dangerously innocent of the Duke’s past and of his present. The narrative at the heart of the book is one of a sentimental education, as Cora must grow up and leave behind her life as a spoiled and privileged child, to take her place in a complicated and sometimes hostile society, learning how to use her money wisely and coming to an understanding of what she really wants.

The novel reminded me a great deal of Frances Hodgson Burnett’s The Shuttle, which was about American heiresses coming over the pond to save the ailing British aristocracy with their shiny new dollars, and in fact the book is named as one of Goodwin’s sources. The author based the character of Cora Cash on a real life counterpart, the heiress Consuela Vanderbilt, who brought a $100 million dowry to her marriage with the Duke of Marlborough, although apparently the union was not a happy one. If there was one character I couldn’t get on with in this novel, it was the hero, Ivo, Duke of Wareham. If Americans in the novel tend to be represented as forward and a bit flashily vulgar with their cash, the Brits come off much worse, as emotionally constipated and really rather unpleasant with it. Ivo is British manhood at its proud and repressed worst and I wished he’d shown a few qualities deserving of Cora’s affection. There were lots of little places where Daisy Goodwin could have done more with her characterization; why Cora Cash falls for the Duke is a mystery to me, the relationship between Cora and her half-caste maid, Bertha is left a bit undone although it has much potential, Teddy is a fine character left underutilized, and the influence of mothers, particularly demanding and possessive ones, is hinted at but could have been brought out in much richer and more interesting ways. Plus, the ending feels rushed, as endings to these sorts of books so often do. But to criticize this book feels a bit churlish; it doesn’t pretend to be serious literature (probably gunning for the Phillippa Gregory end of the market), it’s a bubble bath of a book, a jolly lose-yourself-in-something-faintly-ridiculous-but-familiar sort of book. And it’s certainly one up from the trash level. It’s quite well written and Goodwin has an excellent eye for the set piece scenes as well as the piquant detail. When the weather is dreary and life is a tad dull, and you don’t want to read anything you have to mentally chew, this does very nicely.

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